There are instances though in which the ‘a’ lines do not always rhyme perfectly. Upon his return to the United States, he took a job on the editorial staff of Fortune magazine while continuing to write poetry. Such as in stanza one with “And” beginning the first and second line. After college, he enrolled at Harvard Law School, but he put his studies on hold to become first an ambulance driver and later a captain of artillery during World War I. It was done so that one would get a final taste of the progression of hours. I feel as if I am on the flight. These statements place him in the center of the day, in an open, undefined area. It was the written equivalent of getting into a freshly made bed! ‘ You, Andrew Marvell’ by Archibald MacLeish is a nine stanza poem that is separated into sets of four lines or quatrains. While it is currently daytime where he is, he mentally travels to other countries where the night is quickly coming. Other poems give clues that Marvell might have been gay. The evening is “widen[ing]” and “steal[ing]” on from place to place. If we select your entry, you’ll win a copy of a poetry collection edited by David Lehman. The stanzas conform to a loose rhyming pattern of abab. In fact, it helps to open up the narrative to any location. The speaker clearly has an invested interest in this part of the world. One can still see the “gulls” moving “landward.” They are fully aware that darkness is coming and are seeking out a refuge for the night. In the first stanza of this piece the speaker begins by describing himself as being “face down beneath the sun.” He is on his stomach, with his back to the sky. “You, Andrew Marvell” is about the passage of time and its attendant decline and death. The first place he visits is an ancient city in Iran where he looks at the leaves of a tree. It takes us on a flight over Eastern countries-Baghdad, Lebanon, Ecbatan; then Crete, Spain and Africa. They go first, before the “hulls,” as the sun moves down below the horizon line. While it is quiet now, one can imagine what it would be like once the sun rises again. Elements of the verse: questions and answers. As was stated in the first stanza, the speaker is relishing in the coming of the night. Amanda Holmes reads Archibald MacLeish’s poem, “You, Andrew Marvell.” Have a suggestion for a poem by a (dead) writer? Sign up to unveil the best kept secrets in poetry, Home » Archibald MacLeish » You, Andrew Marvell by Archibald MacLeish. Amanda Holmes reads Archibald MacLeish’s poem, “You, Andrew Marvell.” Have a suggestion for a poem by a (dead) writer? Archibald MacLeish's poem "You, Andrew Marvell ", alludes to the passage of time and to the growth and decline of empires. Such a rich use of language. Or, in stanza three in which “The” begins lines three and four. Additionally, You, Andrew Marvell contains almost no punctuation. The stanzas conform to a loose rhyming pattern of abab. The title “You, Andrew Marvell” refers to Andrew Marvell‘s 1650 poem “To His Coy Mistress.” The two poems share a common theme: time acting on man’s mortality. Time is not, at least universally, limited. Please continue to help us support the fight against dementia. One might also refer back to “fade out,” “rising” and “creeping.”. You, Andrew Marvell by Archibald MacLeish. The login page will open in a new tab. For fifty years or more now. And strange at Ecbatan the trees . He moves on to describe the mountains of Persia and a gate in Kermanshah. Breadcrumb. The ancient nature of the area is emphasized with a description of the “wheel rut” made in the stone of the street. ‘You, Andrew Marvell’ by Archibald MacLeish is a nine stanza poem that is separated into sets of four lines or quatrains. The concluding tercet ends with an ellipse and links the last line of ‘You Andrew Marvell’ to the beginning. The information we provided is prepared by means of a special computer program. Often they are slant or … There is something sublime about this fact. It and all its people “go under.” At this point, the speaker has used a number of different phrases to refer to the sun setting. It might spark his interest due to its exotic seeming nature. The contrast between the grand mountains and the individual leaves. Jonathan Haeber (Flickr/tunnelbug) Amanda Holmes reads Archibald MacLeish’s poem, “You, Andrew Marvell.” Have a suggestion for a poem by a (dead) writer? It is a force that comes “creep[ing]” towards him from the “curving east.” This is of course a reference to the shape of the earth and the way in which the sun slowly, but consistently, sets. This poem has not been translated into any other language yet. Archibald Macleish ⇒ You, Andrew Marvell. The next lines begin to reference different areas around which are also transitioning into darkness. After logging in you can close it and return to this page. Email us: podcast@theamericanscholar.org. Andrew Marvell was a seventeenth-century, metaphysical English poet whose best-known work is ‘To His Coy Mistress.’. The following lines speak of the “chill” that accompanies the setting sun and rising night. The poem operates on several levels. It is from here that one should feel the desire to return to the beginning and start all over again. He visualizes sunset, moving from east to west geographically, overtaking the great civilizations of the past, and feels "how swift how secretly / The shadow of the night comes on." A great number of the lines begin with the same word, often in the same stanza. The speaker is listing them out as regular, but also special, parts of the day. No matter what time of day it is, he can feel the presence of darkness coming towards him. Superb reading of this poem! Email us: podcast@theamericanscholar.org. “Funeral Blues” by W. H. Auden. If we select your entry, you’ll win a copy of a poetry collection edited by David Lehman. While it may happen at vastly different times of day, the “gilded sand” of Africa and the gate of Kermanshah” will experience the same things. The following lines take him to Iraq and into the Mediterranean Sea. The next city mentioned is “Baghdad” in Iraq. In the second two lines, he returns to the present moment in which he is situated “Upon those under lands,” or the lands that are about to be under the night sky. They each provoke a different feeling in a reader. There is a single colon at the end of the first stanza, setting up the circular momentum of the text, but that it all. “You, Andrew Marvell” by Archibald MacLeish. Amanda Holmes reads W. H. Auden’s poem, “Funeral Blues.” Have a … Poem Analysis, https://poemanalysis.com/archibald-macleish/you-andrew-marvell/. A reader should also take note of the moment of repetition at the beginning of the verses. The sun is also setting on this area of the world and the “bridge” across the river is “gone.” It is so dark that one cannot see the structure. Accessed 7 May 2021. Amanda Holmes reads Archibald MacLeish’s poem, “ You, Andrew Marvell.” Have a suggestion for a poem by a (dead) writer? Amanda Holmes reads Archibald MacLeish’s poem, “You, Andrew Marvell.” Have a suggestion for a poem by a (dead) writer? These lands have yet to be fully consumed by the darkness. These words increase the foreboding feeling of the night. Archibald MacLeish’s poem You, Andrew Marvell is nine quatrains of graceful iambic pentameter rhymed abab. He is still “face downward in the sun” dwelling over the “swift” nature of the hours. In his poem, the speaker, lying on the ground at sunset, feels "the rising of the night". Before beginning this piece it is important to take the time to understand who the title refers to. Perhaps it is due to the fact that it is an area very far removed from his physical location. Romanticism was a movement that originated in Europe at the end of the 18th century and emphasized aesthetic experience and imagination. The eighth stanza concludes with a peaceful image of the “low pale light” completely vanishing. Andrew Marvell's 17th century seduction poem remains one of our best representations of the metaphysical poets' call to seize the day. Guest poem sent in by Vivek Narayanan You, Andrew Marvell And here face down beneath the sun Here upon Earth's noonward height To feel the always coming on The always rising of the night: To feel creep up the curving East The earthy chill of dusk and slow upon those underlands the vast And ever climbing shadow grow And strange at … Every single person that visits Poem Analysis has helped contribute, so thank you for your support. Upon those under lands the vast . The fourth stanza takes the reader to “Kermanshah.” It is here he sees the “gate” that is described as being both “Dark” and “empty.” Considering that it is almost night now, this is not surprising. Thank you for your glorious feedback. He is in a meditative state, focusing on the passage of time that is happening in cities all around the world. MacLeish was clearly inspired by how Marvell tackled this theme ‘To His Coy Mistress’ and chose to recognize Marvell’s work. To feel creep up the curving east The earthy chill of dusk and slow Upon those under lands the vast And ever climbing shadow grow . In some ways, ‘You, Andrew Marvell’ is the opposite of a carpe diem poem in that it makes the reader very aware of the transitory, but also repetitive nature of time. And here upon earth’s noonward height . I heard MacLeish read this when I was eighteen, and it changed my entire appreciation of poetry. Often they are slant or half-rhymes rather than full, or perfect rhymes. 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