Sheeler is recognized as a founder of American modernism. Title: American Landscape. Sheeler begann seine Karriere als Fotograf; in diesen Arbeiten konzentrierte er sich vor allem auf die Architektur. American Landscape (1930) Museum of Modern Art, New York. Genre: cityscape. Sheeler used both photography and painting, which he referred to as his 'separate eyes,' to capture the function, abstraction, and the human element of the American industrial and urban age. (Charles Sheeler: Paintings and Drawings, p. 43) Sheeler's ability to find beauty in the functional and create reductive images free from superlative detail, such as Stacks in Celebration, pioneered a new American aesthetic. As landscapes evolved, so too did artists’ response to them. The American architectural photographer Charles Sheeler was commissioned in 1927 to photograph the Ford Motor Company’s new industrial complex, which was built along the Rouge River in Dearborn, Michigan. This 61 × 78.8 cm oil on canvas was painted in 1930 by the American painter and photographer Charles Sheeler (1883–1965) and is part of a collection of his works held by the Museum of Modern Art in New York. He showed his paintings in the 1913 Armory Show, Alfred Stieglitz asked … In 1927, the Ford Motor Company commissioned Sheeler to take photographs to market the new Model A car and a series of photographs of the River Rouge industrial plant in Michigan where it was made [1]. Not on view. Jun 25, 2019 - Charles Sheeler was an American painter and commercial photographer. Painting and Sculpture He is recognized as one of the founders of American modernism, developing a "quasi-photographic" style of painting known as Precisionism and becoming one of the master photographers of the 20th century. Charles Sheeler. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide, This PDF is available to Subscribers Only. American Landscape. Reproduced by permission. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. The water in the foreground is in a man-made canal. Charles Sheeler, 1938 . He also revolutionized commercial art blurring the lines between advertising and fine art. Please. Charles Sheeler’s painting American Landscape is one of twelve featured on the Modern Art in America: 1913-1931 stamps. Summary of Charles Sheeler. It was his work for the NW Ayer advertising agency which led him to be commissioned by Ford [11]. Sheeler’s landscape is one of factory buildings, chimneys, concrete silos, mobile crane loaders, rail track and raw materials demonstrating that in many parts of America industry had overtaken nature [4]. Search for other works by this author on: Charles Sheeler and the Cult of the Machine, Twentieth-Century American Art: The Ebsworth Collection, Charles Sheeler. Museum of Modern Art, New York, NY. His techniques varied from >photographic realism to modified abstraction. Tags: Industry. See more ideas about charles… Wikidata Q624868 View or edit the full Wikipedia entry. Oil on canvas, 24 x 31 in. While these works experiment with arrangements of hard–edged forms and shifting planes, they also make clear how innovative American industry was during these years, how it was generating a radically new American landscape and experience. Style: New Realism. Charles Sheeler (July 16, 1883 - May 7, 1965) was an artist who received acclaim for both his photography and painting. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Gift of Abby Aldrich Rockefeller, 166.1934. c. 1910. Sein Farmhaus in Doylestown und die Umgebung wurden zu seinen häufigsten Motiven, darunter besonders der Ofen in einem der Zimmer. All these paintings used subdued colours and Sheeler had to rely on his memory to supplement the monochrome photographs on which they were based [3]. Details. Physical Dimensions: 24 x 31 in. Precisionism focuses on modern technology and takes an emotionally detached approach to the world. The Ford Motor Company once owned 700 000 acres of forest, iron mines, coal mines and limestone quarries and a rubber plantation in Brazil. 1920 drehte er zusammen mit Paul Strand den Kurzfilm Manhatta, einen der ersten künstlerischen Filme der USA. Gift of Abby Aldrich Rockefeller Location: Museum of Modern Art (MoMA), New York City, NY, US. River Rouge, then the world’s largest industrial complex employing over 75 000 employees, was a marvel of mechanical efficiency symbolizing the triumph of American ingenuity [2,4]. Born: July 16, 1883, Philadelphia, PA Died: May 7, 1965, Dobbs Ferry, NY Periods: Modern art, Realism, American modernism, Neoclassicism, Precisionism. 166.1934. Ford operated a fleet of ore freighters and a regional railroad company to transport these materials to the Rouge [8]. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. More information is also available about the film collection and the Circulating Film and Video Library. Charles Sheeler was an American artist known for his involvement in the Precisionism movement along with Charles Demuth, Gerald Murphy, and others. National Gallery of Art, Collection of Barney A. Ebsworth. Date Created: 1930. 1930. However, painting didn’t pay the bills so Sheeler bought a camera and began to develop a successful business as a freelance photographer. The only trace of humanity in Charles Sheeler’s austere American Landscape is a tiny figure scurrying across the railroad tracks. Also, the scene is dehumanized featuring one distant figure on the railway track thus magnifying the scale of the industrial operation [6]. Charles Sheeler Charles Sheeler standing next to a window. If you have additional information or spotted an error, please send feedback to [email protected]. Widely copied in Europe and America in the 20s, this iconic image of a machine-age utopia celebrated the power of industrial production in the modern age. M. Friedman, Charles Sheeler: Paintings, Drawings and Photographs, New York, 1974, p. 127, illustrated. Dehumanizing conditions, lack of autonomy, de-skilling and ever-increasing pace of the assembly lines caused strong worker dissatisfaction. Precisionist art employs clear outlines, sharply defined lines, geometric shapes, little texture and it rarely included a human being [4,9]. Between 1930 and 1936, Sheeler would use these monochrome photographs to create a series of oil paintings—American Landscape, Classic Landscape, River Rouge Plant and City Interior [2]. Sheeler had travelled to Europe in the 1910s and had become familiar there with Cubism and other modernist developments. He was a leader of the American Precisionist movement which focused on realistic depictions of strong geometric lines and forms. Carol Troyen and Erica E. Hirshler, Charles Sheeler: Paintings and Drawings (Boston, 1987), 120, citing a letter from Halpert to Edmund Gurry, June 18, 1932. Mit Paul Strand den Kurzfilm Manhatta, einen der ersten künstlerischen Filme der.. Location: Museum of Modern Art, painter key figure in the 1910s and had familiar... It may not work correctly a department of the American precisionist movement in the Precisionism movement along with Demuth. Modern technology and takes an emotionally detached approach to the Rouge [ 8 ] installation! Of strong geometric lines and forms image to be in the 1910s and had familiar. 1883 Philadelphia, Pennsylvania … – Charles Sheeler ’ s austere American Landscape oil... 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